She knows that many people recommend paring life back to the basics during the first year of sobriety, but, she says: ‘There’s not a one size fits all. She was at a Jamie xx gig a few days ago and went to Glastonbury, too. But honestly, feeding myself creatively is probably the best self-care I can do. Sometimes they talk, or they might do breathing or chanting: ‘Whatever my body needs. Instead, she sees Colin Dunsmuir, her yoga teacher since she was 18, three times a week, over FaceTime. But traditional therapy has never worked for her, she says. She started with Alcoholics Anonymous’ 12-steps programme and has a sponsor, as well as support from ‘friends who have been down this path before who have been instrumental in guiding me’. Pants, stylist’s own Quentin Jonesĭelevingne has had to find her own way through recovery so far. ‘Me, Jourdan and Karlie were thick as thieves.’ So many people, such as Balmain’s Olivier Rousteing, ‘have been so much more than work friends, and have taught me a lot about living’. She speaks warmly of the industry, particularly the friendships she had forged. Inside, I felt very different to how I looked.’ Still, Delevingne says, she wouldn’t change her fashion ascent now. I was doing the best I could, but I wasn’t really appreciating every moment. I was still stuck in this mindset of not being good enough. I didn’t feel like I deserved it,’ she says. She won awards and was named one of the highest-paid models in the world.īut throughout it all, she was struggling. Her luxuriant eyebrows were not just her trademark – the millennial equivalent of Cindy Crawford’s mole – but sparked a small industry of YouTube tutorials, HD brows and thickening products. Her success collided with the rise of social media her huge following and irreverent attitude made her a star of the Instagram generation. After signing with Storm Management in 2009, Cara was pole-vaulted to global fame as the face of Burberry’s SS11 campaign: almost overnight she became the ‘it’ model of the moment. Her mother, Pandora Delevingne, suffered from heroin addiction and bipolar disorder throughout her daughter’s childhood. Try Dior Backstage Eye Palette in Warm Neutrals, £43 Top, £1,100, bra, £1,200, and earrings, £3,400, all DIOR Quentin JonesĪnyone who only knows the outline of Delevingne’s career as a enormously successful supermodel-turned-actor may be unaware of any difficulties in her life. ‘I finally feel as though I can be free and myself, fully.’Ī subtle wash of umber eyeshadow brings definition to the eyes. ‘To disappear and come back for air,’ she explains. ‘For a long time, I felt like I was hiding a lot from people who looked up to me.’ So she took a break. She says talking about it ‘after vowing to be honest about things like depression and anxiety’ felt like a weight being lifted. She spoke publicly about her struggles soon afterwards. Throughout her life, Delevingne has suffered from periods of anxiety, depression and substance misuse, but things came to a head in September 2022 when she was photographed looking frail and fraught after the Burning Man festival, before checking into rehab. I think I used to say that and not believe it. I’m calmer.’ She has learned a lot, she says. I just don’t know what it would take for me to give it up. ‘It hasn’t, but there have never been moments when I’m like, “This isn’t worth it.” It’s been worth every second. The big change is sobriety, which she embraced nine months ago. I never thought I would be able to enjoy anything this much.’Īt 30, Delevingne says she has entered a shiny new era. ‘I’m able to live in a way that I never thought I would be able to,’ she says, ‘where I can really experience things and engage with them. She says she’s spent the past few months immersing herself in theatre, music and art, seeking out novel cultural experiences for inspiration and sustenance. Afterwards, as we disembark via a 50-foot metal staircase, Delevingne explains why she chose it for our rendezvous. It was a trip: all-enveloping and meditative. Together, we entered the orb and lay, side by side, on mesh sheeting, listening to dreamy electronic music and watching pulsating, kaleidoscopic lights ripple across our peripheral vision. It’s a sound-and-light installation, held within a ball, 65 feet in diameter, which is suspended in a dark, cavernous amphitheatre. The men, I soon learn, work on Sonic Sphere, the immersive production Delevingne and I have just seen. I NEVER THOUGHT I WOULD BE ABLE TO ENJOY ANYTHING THIS MUCH I CAN REALLY EXPERIENCE THINGS AND ENGAGE WITH THEM.
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